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In den meisten Fällen können sich die neuen Spiele allerdings nicht durchsetzen. Remember, a picture is worth a thousand words. Runes denoted phonetic sounds like letters but also had individual meanings like the glyphs of other ancient languages.

Runic alphabets are called futharks. The oldest known futhark arose sometime between the second and fourth century, which is not surprising considering that was the time when war and trade between Germanic and Mediterranean peoples were accelerating.

The Vikings had an oral culture and did not use runes to write just anything. Runes had power. They were seldom if ever penned onto parchment, as the enemies of the Vikings did in France, Ireland, and England; they were carved into wood, stone, metal, or bone hence their angular appearance.

Most of our surviving examples of runes are inscriptions on rune stones commemorating the lives of great rulers.

Runes also had expressly magical purposes and were engraved on amulets, talismans, beads, and shields to ensure protection and victory.

Rune casting was another magical use of runes in the Viking Age. The skilled practitioner then deciphers the message rendered, not only of the runes but also their orientation to each other similar to Tarot, in which the same card can have very different meanings depending on context.

Runes are associated with the god Odin, who first discovered them at great pain and effort from the Well of Destiny, at the foot of Ygdrassil.

For the Vikings, this discovery of runes meant that they were not invented tools of humankind but part of the larger, deeper truth. The early runes became known as the Elder Futhark and were used by a wide range of Germanic and Norse tribes.

Just before the Viking Age began, the Elder Futhark began to gradually give way to the more streamlined Younger Futhark. The Younger Futhark has fewer runes only 16 to reflect changes in the Scandinavian language and dialects at that time.

Again, the transition was gradual, and runes from the Elder Futhark that were no longer useful as letters remained in use as glyphs for quite some time.

And just as we can still interpret the Elder version today years later , Vikings skilled in rune lore were most likely capable of reading both.

Most of today's modern Viking jewelry relating to Runes reflects the Elder version as it offers more letters for easier translation to the English language.

The Vikings believed that people who lived ordinary lives went on to a shadowy existence after death, but those who died gloriously in battle lived on in Valhalla.

The Valkyries would carry the souls of these heroes from the battlefield. In Valhalla, they would live the Viking version of the good life: fighting great battles against each other every day but — in their immortal state — spending each night in revelry and feasting.

This paradise comes with a price, though. They will fight this doomed battle against the giants and fearsome creatures of darkness for the sake of our world and the world of the gods.

The Valknut is most commonly believed to be the symbol of these slain warriors. The exact meaning of the three interlocking triangle shapes is unknown.

Clues arise from Celtic and Neolithic art from Northwestern Europe in which interlinking triple shapes are common indicators of magical power and magical essence.

Experts hypothesize that the Valknut may depict the cyclical path between life and death that these warriors experience. Others believe that the nine points represent the nine worlds of Norse mythology.

While the details are lost to time, the Valknut symbol now calls to mind courage, bravery, and destiny throughout this life and the next.

The Helm of Awe is mentioned in several of the Eddic poems as being used by both warriors and even dragons! The symbol itself survives from later Icelandic grimoire books of magic , penned well after the Viking Age but from an unbroken intellectual lineage to sea traveling Vikings of earlier times.

I never faced so many men that I did not feel myself much stronger than they were, and everyone feared me. The eight arms or rays emit from the center point of the symbol.

The arms themselves appear to be constructed from two intersecting runes. These are Algiz runes for victory and protection intersected by Isa runes, which may mean hardening literally, ice.

So, the hidden meaning of this symbol may be the ability to overcome through superior hardening of the mind and soul. Vegvisir Viking Compass.

The Icelandic symbol was a visual spell of protection against getting lost particularly at sea — something that would have been very, very important to the Vikings.

The Vikings may have had directional finding instruments of their own, such as the Uunartoq disc and sunstones; but most of their navigation came down to visual cues the sun, stars, flight patterns of birds, the color of water, etc.

Given the potentially disastrous consequences inherent in such sea voyages, however, it is easy to see why Vikings would want magical help in keeping their way.

The symbol comes down to us from the Icelandic Huld Manuscript another grimoire which was compiled in the s from older manuscripts now lost.

The exact age of the Vegvisir is therefore unknown. Triskele Horns of Odin. The Horns of Odin also referred to as the horn triskelion or the triple-horned triskele is a symbol comprised three interlocking drinking horns.

The exact meaning of the symbol is not known, but it may allude to Odin's stealing of the Mead of Poetry. The symbol has become especially significant in the modern Asatru faith.

The Horns of Odin symbol is also meaningful to other adherents to the Old Ways, or those who strongly identify with the god Odin. While the shape of this symbol is reminiscent of the Triqueta and other Celtic symbols, it appears on the Larbro stone in Gotland, Sweden which may be as old as the early eighth century.

On this image stone, the Horns of Odin are depicted as the crest on Odin's shield. The Triquetra or the Trinity Knot is comprised one continuous line interweaving around itself, meaning no beginning or end, or eternal spiritual life.

A similar design was found on the Funbo Runestone found in Uppland, Sweden seen to the right. Originally, the Triquetra was associated with the Celtic Mother Goddess and depicted her triune nature the maiden, the mother, and the wise, old woman.

The triple identity was an essential feature in many aspects of druidic belief and practice. Mjölnir me-OL-neer means grinder, crusher, hammer and is also associated with thunder and lightning.

When the Vikings saw lightning, and heard thunder in a howling storm, they knew that Thor had used Mjölnir to send another giant to his doom.

Thor was the son of Odin and Fyorgyn a. He was the god of thunder and the god of war and one of the most popular figures in all of Norse mythology.

Mjölnir is known for its ability to destroy mountains. But it was not just a weapon. Loki made a bet with two dwarves, Brokkr and Sindri or Eitri that they could not make something better than the items created by the Sons of Ivaldi the dwarves who created Odin's spear Gungnir and Freyr's foldable boat skioblaonir.

Then he gave the hammer to Thor, and said that Thor might smite as hard as he desired, whatsoever might be before him, and the hammer would not fail; and if he threw it at anything, it would never miss, and never fly so far as not to return to his hand; and if be desired, he might keep it in his sark, it was so small; but indeed it was a flaw in the hammer that the fore-haft handle was somewhat short.

Thor also used Mjölnir to hallow, or to bless. With Mjölnir, Thor could bring some things such as the goats who drew his chariot back to life.

Thor was invoked at weddings, at births, and at special ceremonies for these abilities to bless, make holy, and protect.

Hundreds of Mjölnir amulets have been discovered in Viking graves and other Norse archaeological sites. Some experts have postulated that these amulets became increasingly popular as Vikings came into contact with Christians, as a way to differentiate themselves as followers of the Old Ways and not the strange faith of their enemies.

This may or may not be true. Certainly, amulets of many kinds have been in use since pre-historic times. Interestingly, Mjölnir amulets were still worn by Norse Christians sometimes in conjunction with a cross after the Old Ways began to fade, so we can see that the symbol still had great meaning even after its relevance to religion had changed.

With its association with Thor, the protector god of war and the of nature's awe, the Mjölnir stands for power, strength, bravery, good luck, and protection from all harm.

It is also an easily-recognizable sign that one holds the Old Ways in respect. Viking Axe The most famous, and perhaps most common, Viking weapon was the axe.

Viking axes ranged in size from hand axes similar to tomahawks to long-hafted battle axes. Unlike the axes usually depicted in fantasy illustrations, Viking axes were single-bitted to make them faster and more maneuverable.

Viking axes were sometimes "bearded," which is to say that the lower portion of the axe head was hook-shaped to facilitate catching and pulling shield rims or limbs.

The axe required far less iron, time, or skill to produce than a sword; and because it was an important tool on farms and homesteads, the Norse would have had them in hand since childhood.

The Viking axe would make the Norsemen famous, and even after the Viking Age waned, the descendants of the Vikings such as the Varangians of Byzantium or the Galloglass of Ireland would be sought after as bodyguards or elite mercenaries specifically for their axe skill.

As a symbol, the axe stands for bravery, strength, and audacity. It is a reminder of heritage and the accomplishments of ancestors who bent the world to their will using only what they had.

It is a symbol of the berserker, and all that entails. It conveys the heart or mind's ability to cut through that which holds one back and to forge boldly ahead.

All nine worlds or nine dimensions are entwined in its branches and its roots. Yggdrasil, therefore, serves as a conduit or pathway between these nine dimensions that the gods might travel.

If this all seems a little difficult to imagine, you are not alone. Remember, myth is a means for people to understand cosmic truth. For our ancestors, myths like these were as close as they could come to science; and even as quantum physics is difficult for many of us to "picture", it is still our way of describing the truth as we have found it to be.

Yggdrasil was a way of thinking about reality and about how different realities could be connected maybe similar in some ways to modern multiverse theory.

As Dan McCoy of Norse-mythology. As a symbol, Yggdrasil represents the cosmos, the relationship between time and destiny, harmony, the cycles of creation, and the essence of nature.

The longship was the soul of the Viking. The word "Viking" does not simply mean any medieval Scandinavian, but rather a man or woman who dared to venture forth into the unknown.

The longship was the means by which that was accomplished. We have eyewitness accounts from centuries before the Vikings that tell us the Norse always were into their ships, but technological advances they made in ship design around the eighth century revolutionized what these ships were able to do.

The Viking ships could row with oars or catch the wind with a broad, square sail. They were flexible and supple in the wild oceans. They were keeled for speed and precision.

Most importantly to Viking mobility and military superiority, they had a very shallow draught. All this meant that Vikings could cross the cold seas from Scandinavia to places that had never heard of them, then use river ways to move deep into these lands all while outpacing any enemies who might come against them.

It took the greatest powers in Europe a long time to even figure out how to address this kind of threat. It was no wonder that the Viking ships were called dragon ships, for it was as if an otherworldly force was unleashed upon the peoples of Europe.

Accounts from the very first recorded Viking raid Lindisfarne even speak of monks seeing visions of dragons in a prophecy of this doom.

There are two ships that stand out in Norse Mythology. Nalgfar is the ship of the goddess, Hel. It is made from the fingernails of the dead.

At Ragnarok it will rise from the depths, and — oared by giants and with Loki at its helm — it will cross the Bifrost bridge to lead the assault on Asgard.

This myth shows how the Vikings viewed ships — a good ship can take you anywhere. The relationship of the Vikings to their ships is even more striking when we realize that - in some ways - these ships were glorified boats, and not what we think of as ships at all.

A Viking was completely exposed to the elements and could reach down and touch the waves. In such a vessel you would feel the waters of the deep slipping by just underneath of your feet as sea spray pelted your face.

The Vikings sailed these vessels all the way to the Mediterranean, to Iceland and Greenland, and even all the way to North America. This level of commitment, acceptance of risk, rejection of limitations, and consuming hunger to bend the world to one's will is difficult for many of us to accurately imagine.

That is why the dragon ship will always symbolize the Vikings and everything about them. The Vikings believed all things — even the gods themselves — were bound to fate.

The concept was so important that there were six different words for fate in the Old Scandinavian tongues. Because the outcome was determined, it was not for a man or a woman to try to escape their fate — no matter how grim it might be.

The essential thing was in how one met the trials and tragedies that befell them. In Norse mythology, fate itself is shaped by the Norns.

There they weave together a great tapestry or web, with each thread being a human life. Some sources, including the Volsung saga, say that in addition to the three great Norns who are called Past, Present, and Future there are many lesser Norns of both Aesir and elf kind.

These lesser Norn may act similarly to the idea of the guardian angels of Christianity or the daemon of Greco-Roman mythology. The Web of Wyrd symbol represents the tapestry the Norns weave.

It is uncertain whether this symbol was used during the Viking Age, but it uses imagery the Vikings would instantly understand.

Nine lines intersect to form the symbol. Nine was a magic number to the Norse, and within the pattern of these lines all the runes can be found.

The runes also sprang from the Well of Urd, and carried inherent meaning and power. Thus, when one looks at the nine lines of the Web of Wyrd, one is seeing all the runes at once, and seeing in symbolic form the secrets of life and destiny.

Gungnir is a magic spear, with dark runes inscribed on its point. Gungnir never misses its target. When Odin sacrificed himself to discover the runes and the cosmic secrets they held, he stabbed Gungnir through his chest and hung from the world tree, Yggdrasil for nine days and nights.

As a symbol, Gungnir represents the courage, ecstasy, inspiration, skill, and wisdom of the Allfather, and it can be taken to represent focus, faithfulness, precision, and strength.

Ravens may be the animal most associated with the Vikings. This is because Ravens are the familiars of Odin, the Allfather.

Odin was a god of war, and ravens feasting on the slain were a common sight on the battlefields of the Viking Age.

The connection is deeper than that, however. Ravens are very intelligent birds. You cannot look at the eyes and head movement of a raven and not feel that it is trying to perceive everything about you — even weigh your spirit.

Huginn and Muninn fly throughout the nine worlds, and whatever their far-seeing eyes find they whisper back to Odin.

Ravens are also associated with the 9th century Viking hero, Ragnar Lothbrok. Ragnar claimed descent from Odin through a human consort.

This was something that did not sit well with the kings of Denmark, Norway, and Sweden as it implied parity with them , and for that and many other reasons they made war on him.

Various sagas and chronicles tell us Ragnar's success led him to Finland, France, England, and maybe even as far as the Hellespont in Turkey, and wherever he went, he carried the raven banner with him.

His sons Ivar and Ubbe carried the raven banner at the head of the Great Heathen Army that conquered the eastern kingdoms of England in the 9th century.

The banner continued to bring victories until their descendant, Sigurd the Stout, finally died under it at the Irish Battle of Clontarf about years later.

In Norse art, ravens symbolize Odin, insight, wisdom, intellect, bravery, battle glory, and continuity between life and the afterlife.

For people today, they also represent the Vikings themselves, and the years of exploits and exploration that these ancestors achieved. The wolf is a more enigmatic motif, as it can have several meanings.

The most famous to the Vikings was Fenrir or Fenris-wolf. Fenrir is one of the most frightening monsters in Norse mythology.

When the gods saw how quickly Fenrir was growing and how ravenous he was, they tried to bind him — but Fenrir broke every chain. Finally, the dwarves made an unbreakable lashing with which the gods were able to subdue the creature — but only after he had ripped the god Tyr's hand off.

Fenrir is fated to escape someday, at the dawning of Ragnarok, and will devour the sun and moon and even kill Odin in the last days. Not all the wolves in Norse culture were evil.

Odin himself was accompanied by wolves, named Geri and Freki both names meaning, Greedy who accompanied him in battle, hunting, and wandering.

This partnership between god and wolves gave rise to the alliance between humans and dogs. It is not entirely clear whether this was a synonym or a separate class of berserker.

We may never know for certain. The wolf has both positive and negative connotations in Norse culture. The wolf can represent the destructive forces of time and nature, for which even the gods are not a match.

The wolf can also represent the most valued characteristics of bravery, teamwork, and shamanistic power. The unifying characteristic in these two divergent manifestations is savagery and the primal nature.

The wolf can bring out the worst or the best in people. All this he can do at incredible speeds. While the other gods ride chariots, Odin rides Sleipnir into battle.

Sleipnir has a weird family. Some experts hypothesize that Sleipnir's octopedal sliding was inspired by the "tolt" - the fifth gait of Icelandic horses and their Scandinavian ancestors that make them very smooth to ride.

While this may or may not be true, the idea of eight-legged spirit horses is a very, very old one. Sleipnir's image, or rumors of him, appear in shamanistic traditions throughout Korea, Mongolia, Russia, and of course Northwestern Europe.

As in Norse mythology, these eight-legged horses are a means for transporting souls across worlds i. These archeological finds are at least a thousand years older than Viking influence, showing that the roots of this symbol indeed go deep.

Sleipnir symbolizes speed, surety, perception, good luck in travel, eternal life, and transcendence. He combines the attributes of the horse one of the most important and enduring animals to humankind and the spirit.

He is especially meaningful to athletes, equestrians, travelers, those who have lost loved ones, and those yearning for spiritual enlightenment.

The Vikings had lots of stories of dragons and giant serpents and left many depictions of these creatures in their art. The longship — the heart and soul of the Viking — were even called "dragon ships" for their sleek design and carved dragon-headed prows.

These heads sometimes would be removed to announce the Vikings came in peace as not to frighten the spirits of the land, the Icelandic law codes say.

The common images of dragons we have from fantasy movies, with thick bodies and heavy legs come more from medieval heraldry inspired by Welsh Celtic legends.

The earliest Norse dragons were more serpentine, with long coiling bodies. They only sometimes had wings, and only some breathed fire.

Some Norse dragons were not just giant monsters - they were cosmic forces unto themselves. Jörmungandr also called "The Midgard Serpent" or "The World-Coiling Serpent" is so immeasurable that he wraps around the entire world, holding the oceans in.

Jörmungandr is the arch-enemy of Thor, and they are fated to kill each other at Ragnarok. Luckily, not all dragons were as big as the world - but they were big enough.

Heroes like Beowulf met their greatest test against such creatures. Ragnar Lothbrok won his name, his favorite wife Thora , and accelerated his destiny by slaying a giant, venomous serpent.

Dragons are as rich in symbolism as they were said to be rich in treasure. As the true, apex predator, dragons represent both great strength and great danger.

With their association with hordes of gold or as the captors of beautiful women, dragons can represent opportunity through risk.

Most of all, dragons embody the destructive phase of the creation-destruction cycle. This means that they represent chaos and cataclysm, but also change and renewal.

There are numerous other animal motifs in Norse art and culture. Many of these are the fylgja familiars or attendant spirits of different gods.

Thor had his goats , and Heimdall had his rams. Freya had a ferocious boar to accompany her in war, named Hildisvini "Battle Swine".

Her brother, Freyr or Frey - the god of sex, male fertility, bounty, wealth, and peace who, along with Freya, aptly lends his name to Friday - had a boar named Gullinborsti "Golden-Bristled" as his fylgia.

Seeing Gullinborsti's symbol or other boar motifs would make a Viking think of peace, happiness, and plenty. Boars are also significant in Celtic mythology, such as the fertility god Moccus, or the Torc Triatha of the goddess Brigid.

The Vikings believed cats were the spirit animals flygjur or familiars of the Vanir goddess, Freya. Freya was the goddess of love, sex, and romantic desire — but she was not just some northern version of Venus.

Freya was a fearsome goddess of war, as well, and she would ride into battle on her wild boar, Hildisvini "Battle Swine".

Like Odin, Freya also selected the bravest of slain warriors for the afterlife of Valhalla. Freya is said to have taught Odin much of what he knows of the secret arts.

She is also a lover of poetry, music, and thoughtfulness. As a Vanir goddess and the sister some say, twin of the god Frey or Freyr , Freya is a goddess of prosperity and riches.

Freya is a fertility goddess. Though she cries her amber tears when she misses her wandering husband, skaldic poetry tells us that she has an unbridled sexuality.

In Norse mythology, Freya is often depicted as the object of desire not only of gods but of giants, elves, and men, too. When not riding Hildisvini into the thick of battle or using her fabulous falcon-feather cloak to shape shift into a lightning-fast bird of prey, Freya travelled in a chariot drawn by black or gray cats.

Some folklorists see the image of the goddess getting cats to work together and go in the same direction as a metaphor for the power of feminine influence — a reoccurring theme in the Viking sagas.

The cat probably reminded Vikings of Freya because of the common personality traits: cats are independent but affectionate when they want to be; fierce fighters and lethal hunters but lovers of leisure, luxury, and treasures.

This association between the goddess of magic and her cats may be why cats became associated with witches during the later Middle Ages and through our own time.

In Norse art or jewelry, the symbol or motif of the cat is meant to denote the blessing or character of Freya, with all her contradictions and strength: love and desire, abundance and beauty, valor and the afterlife, music and poetry, magic and wisdom..

Bears The bear was one of the most powerful and ferocious animals the Vikings knew. The very sight of a bear in the wild would make the bravest of men back away slowly.

They are massive, fast, and deadly, and their hide and fur resist most weapons. It is easy to see why the Vikings would be fascinated by them and would want to emulate them.

Viking sea kings loved to own bears as pets. Saxo Grammaticus tells us that the great shield maiden, Lagertha, had a pet bear that she turned loose on Ragnar Lothbrok when he first came to court her.

Understandably, this incident got brought up again in their later divorce. The Greenland Vikings specialized in exporting polar bears and polar bear furs to the courts of Medieval Europe.

The Bear was sacred to Odin, and this association inspired the most legendary class of all Vikings: the berserkers. Berserkers were Viking heroes who would fight in a state of ecstatic frenzy.

The word berserker comes from two old Norse words that mean "bear shirt" or "bear skin. The berserker took on the essence and spirit of the great bears of the Scandinavian wilderness.

Or, he wore no armor of any kind and had bare skin the play on words is the same in English and Old Norse.

Instead of fighting as a team, as other Vikings would, the berserker would sometimes go in advance of the line. The method to this madness was two-fold.

His valor was meant to both inspire his comrades and to dishearten his foes. By single-handedly attacking the enemy lines often with sweeping blows of the huge, powerful Dane axe before his forces could make contact, he sought to disrupt the enemy's cohesion and exploit holes in their defenses that his brothers in arms could drive through.

The skalds tell us that berserkers were impervious to iron or fire. Other Animals Sometimes animals were not just the 'familiars' of the gods but were the gods themselves.

Odin's wife Frigg could change into a falcon. Other animals were not the fylgja of the gods, but merely had the gods' favor because of their characteristics and personality in the same way that many of us see ourselves in certain animals.

In addition to familiars, various animal spirits populate Norse mythology, such as the eagle who sits in the boughs of Yggdrasil, or the squirrel that scurries along the trunk of the world tree.

Viking History. Why include Celtic symbols? Symbols and Motifs The difference between symbols and motifs is simply a question of formality.

Return to the menu View our collection of: Triskele Necklaces Triskele Rings Triskele Beard Beads Triquetra Celtic Knot The Triquetra or the Trinity Knot is comprised one continuous line interweaving around itself, meaning no beginning or end, or eternal spiritual life.

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Sign up to our mailing list. Because the Vikings believed the Vegvisir, the Viking or the Nordic compass provided necessary assistance as well as guidance to those people who lost their life path.

Although the Vikings did have the instruments that helped them to find the right direction e. Taking into consideration the fact that Vikings used to face with various sea disasters, it is not difficult to understand why Vikings wanted magical help to accompany them and keep their way.

This Vegvisir symbol can be found in the Huld Manuscript. There is no information concerning the age of this symbol.

However, Icelandic people are the descendants of Vikings who have spent all their life sailing in the wild oceans. Nowadays we have a wide range of different modern technologies that can help us to overcome various sea disasters as well as help us not to waste the direction.

Although during the Viking age, there were no technologies able to overcome the dangers, they strongly believed in symbols, and Vegvisir was one of them.

As they thought, it could help them to find their way in life as well as help them during the long voyages.

Vikings used this symbol and drew it on the Viking ships before they set sail to be sure they will come back home safe and not injured.

It should also be mentioned that there is not a lot of information concerning the origin of this symbol. Therefore, we cannot say for sure that Vegvisir existed during the Viking age.

This symbol is another Viking symbol that took a prominent part during the Viking era. Every day he was allowed only one sip of the mead.

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